Lost In The Trees, one of my favorite bands from the past year, just made their third official release, A Church That Fits Our Needs. The band is known for combining folk and classical to create something truly unique. I frequently cite it as Bob Dylan meets Lord of the Rings. Which makes sense because singer/songwriter Ari Picker has a degree in film scores from Berkeley.
Their new album is a bit darker than 2010's All Alone In An Empty House. That's fine with me, however. They've continued to add more instruments to their library of sound, creating a sonic jungle of noise. This is the kind of music that lets you just close your eyes, and envision the story that's being told.
The soft vocals fit nicely with the orchestra as well as the guitar. All of this fits very nicely with the inventive drums. The creative beats remind me of more recent Radiohead material. Not because the two sound similar, but because they're both strange and unusual.
Let's talk about album artwork. I like talking about album artwork. This artwork is very simple without feeling obvious. A close observer will also notice that the subject of this photo is the same woman from the cover of All Alone In An Empty House. This helps to tie the two albums together. It's a symbol that the band has changed without forgetting their sound.
Certain elements of "Golden Eyelids" remind me of the twister scene in The Wizard of Oz. "Icy River" is an incredibly dark and beautiful song with so many layers I get lost in it. "This Dead Bird Is Beautiful" is a slow song with a lovely piano, and falsetto, female vocals that scream into the distance.
This being their third release, Lost In The Trees has made it past the dreaded sophomore slump. Let's hope that this seals their place in the world of independent, interesting music.
Showing posts with label Radiohead. Show all posts
Showing posts with label Radiohead. Show all posts
Wednesday, March 21, 2012
Saturday, March 10, 2012
Radiohead @ Scottrade Center
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| A photo taken earlier in the tour. |
Finally, they took the stage. Radiohead. They opened with "Bloom" off their most recent album, The King of Limbs. Although they didn't always sound exactly like on the album, they did sound fantastic. Johnny, Ed, and Thom were changing guitars about every song to fit the unique feel of each tune. I had heard that Radiohead doesn't care to play many older songs and this is somewhat true. However, the third song was "Airbag" from 1997's hit album, OK Computer. When playing "Karma Police," a crowd favorite, Thom sang "this is what you get when you forget the words." They didn't play anything from before 1997 which meant no "Sulk" and no "Creep." They did play seven of the eight songs from The King of Limbs, "Codex" being the odd one out.
Halfway through the main set, the band played "an obscure song" called "The Amazing Sounds of Orgy." They also played "Identikit," a new unreleased track, and "The Daily Mail," a non-album single released in the past year. They played two encores. The first encore began with "Give Up The Ghost" played by just Thom and Johnny. The layered vocals and dark subject-matter made it one of the most beautiful performances of the evening. The second encore ended with "Idioteque," a stunning and somewhat unexpected choice for a closer song.
When bands are big enough to sell out stadiums like this, it's expected that they have some kind of a light show. In Radiohead fashion, they had something that was simple and complex at the same time. They had a wall of screen behind them and twelve floating square screens above them. The screens moved into different positions between songs and had live video of each band member.
In my mind, Radiohead is one of the best and most creative bands ever. They write songs that connect with us and move us. They write songs that don't sound like anything else. With all of these things as expectations, they didn't disappoint at all.
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